Saturday, December 21, 2013

.Three 6 Mafia's Lord Infamous Passes Away @PaulMearaDotCom



According to DJ Paul's and Da Mafia 6ix publicist Dove Clark, Three 6 Mafia member Lord Infamous passed away last night (December 20) at his mother's home in Memphis.
"He did pass away at his mothers house last night in Memphis," Clark said during an exclusive interview with HipHopDX. "The cause of death is unknown. We're actually trying to figure out how he died and that is all the information we currently have."
Three 6 groupmate Gangsta Boo also tweeted about the matter, calling the death a "tragedy."
"Rest in Peace Lord Infamous," she said via the social media site. "Please respect the family and dear friends during this tragedy."
Raider Klan headman SpaceGhostPurrp, who appeared on Three 6 Mafia offshoot group, Da Mafia Six's latest release, 6ix Commandments, relayed his thoughts over Twitter about Infamous' death.
"R.I.P. Uncle Lord Infamous," Purrp said. "Y'all stay blessed man #RIPUncleScarecrow."
Lord Infamous was one of the founding members of Three 6 Mafia. Along with Juicy J and DJ Paul, Infamous appeared on all of the group's early releases and would release his debut solo effort, Lord Of Terror, in 1994, which preceded the group's breakthrough independent release, 1995's Mystic Stylez. He was the younger half-brother of DJ Paul and also participated in creating 6ix Commandments, which was released last month.

Friday, December 20, 2013

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23 Year Old Woman Caught Trying To Smuggle 1.5 Kilograms Of Cocaine In Her Dreadlocks


A South African woman was caught trying to smuggle 1.5 kilograms of cocaine in her dreadlocks on a flight to Bangkok, it was reported today. South African Nobanda Nolubabalo, 23, was arrested and held in Thailand's capital yesterday after customs officers allegedly noticed a suspicious white substance in her hair. Officials later carried out a search and discovered she had allegedly matted the Class A drug into her dreadlocks before boarding a flight from Brazil.

Young Throwback interview @Patchwerks studios atl




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KAARISSURSKYROCK - Titre Inédit de Kaaris, "Sombre" en live dans Planète Rap.







Buy Gold on Black Qobuz: http://bit.ly/OrNoirQobuzand try to win a T-Shirt Back To The Future THE rapologic phenomenon of the end of 2013. Street album and a few guest appearances (including the historic "Kalash" Booba) Kaaris already had his name at the top of the poster so even before his first studio album, "Black Gold". 30 years ago, the MC Sevran is not a blue and walks on the planet rap for quite some fifteen years ... 100% hardcore rap that this "black gold". Everything is there: dark signed Therapy production texts hardcore 90% under the belt (included weapons and blood) flow pugilist ultra-violent clips and punch. Brief heavy, sensitive souls refrain looks like another ... Yet, much less lower forehead than his many colleagues raw prose Kaaris, slap and definitely sticks to the beats to perfection. Who is really Kaaris and why they waited so many years to deliver this first album punch? Response between four eyes and without jargon for signing MC the most sensational debut in recent years on the French rap scene. Interviewed by Marc Zisman

Thursday, December 19, 2013

Ohio University is the first to have blowjob classes in America

Cee Lo Green Wears Full Length Leather Dress to the Red Carpet






The one and only Cee Lo Green was spotted rocking an all black leather dress to a red carpet event for The Voice, for which he is a judge on. The Goodie Mob emcee was seen wearing an all leather, head to toe ensemble, complete with a top hat. Cee Lo is, of course, no stranger to dressing different as he has worn some pretty extravagant outfits in the past.

When the interviewer complimented Cee Lo on his daring outfit, he went into full song, singing Cody ChesnuTT's "Look Good in Leather": "Listen, I can do anything I want because I look good in leather. I can talk any kind of talk because I look good in leather."

Lil Boosie To Be Released From Prison in 2014!


Incarcerated rapper Lil Boosie has finally been given a release date from prison. The Baton Rouge rapper is scheduled to be released from Angola State Prison in Louisiana on August 18, 2014!
As we previously reported, Boosie’s currently serving an 8-year-sentence on drug charges. He was found not guilty of murder in a separate case last May.
Boosie’s release date has been a topic of discussion for some time now, with unofficial release dates announced that came and went. Rick Ross previously alluded to a November release date in an interview with Power 105.1 in New York and even seemed to extend a record deal to Boosie, so we’ll see how that goes.
Congrats to Boosie!

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AUGUST ALSINA FEAT. YO GOTTI - "GHETTO"





LEAN: http://www.audiomack.com/song/august-alsina/ghetto-feat-yo-gotti-clean

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DJ's here is a brand new one from August Alsina featuring Yo Gotti called "Ghetto" produced by Knucklehead. He's the hottest new R&B artist in the game right now and his single "I Luv This Shit" is a mega smash and the remix with Chris Brown and Trey Songz made it even bigger.  Don't sleep on this new record.  Break it in your market first and be a trendsetter!

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Wednesday, December 18, 2013

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Tuesday, December 17, 2013

Gucci Mane "The State Vs Radric Davis 2: The Caged Bird Sings" Release Date, Cover Art, Tracklist & Album Snippets

UPDATE: Gucci Mane releases the release date, cover art, tracklist and sampler for his new album, "The State Vs Radric Davis 2: The Caged Bird Sings."
Gucci Mane has announced the release date for his new album The State Vs Radric Davis 2: The Caged Bird Sings.
The project is set to be released December 25.
The State Vs Radric Davis 2: The Caged Bird Sings also has cover art, which can be viewed below. 
Gucci Mane announced this information via Twitter.



The State Vs Radric Davis was released in 2009.
Recently, Gucci Mane was charged in federal court with two counts of possessing a firearm as a felon. 
A federal grand jury indicted Gucci Mane on November 19. Mane could face up to 20 years in prison as well as a fine of up to $250,000.
(December 5)
UPDATE: The tracklist and album sampler has been released.
1. Pull Up On Ya
2. Jackie Chan f. Migos
3. #MentionMe
4. Rude
5. Birdman
6. Double
7. Bad Bitch
8. Tell Me Nothing f. Young Scooter
9. Too Many
10. Wish You Was Me
11. Ice Cold f. Verse Simmonds
12. Fugitive f. Peewee Longway & Young Dolph
13. Feets f. Rocko
14. Buttnaked
15. Any Thing f. Young Thug
16. Do It
17. Threw With That Shit 

Friday, December 13, 2013

Migos Addresses Chief Keef Diss Speculations





Group member Quavo tells MTV News "if the shoe fits" in reference to "Jealousy" and Chief Keef.
With the release of their track “Jealousy” earlier in the week, it seems that the three-man Atlanta group Migoshas taken their recent Twitter tift with Chicago rapperChief Keef to the recording booth.
The sly disagreement between the parties began last week with a series of now mostly deleted Tweets from both sides. Chief Keef, who is signed to Interscope Records in conjunction with 1017 Brick Squad, Tweeted first with an accusation that the Atlanta group was engaging in an indirect diss against him. “Heard Migos sneak dissin No Talkin,” he wrote. Migos responded by downplaying the possibility the same day in a separate Tweet. “Migos don’t sneak diss and don’t entertain bullshit. We entertain money,” they wrote alongside the hashtags “YRN2” and “QC.” Migos member Offset also let off a perceived threat to the Chicago rapper with his now deleted Tweet that the group “Will b in Chiraq Next Week Pull Up @ChiefKeef.”
The Twitter exchange took place throughout last Friday (December 6) and Migos released the “Jealousy” track from their upcoming mixtape, “YRN (Young Rich Niggas) 2” this past Monday (December 9). With some sources citing the song as a continuation of the rift between the group and Chief Keef, the Atlanta trio addressed the possibility yesterday (December 12) in an interview with MTV News.
When asked if “Jealousy” was directed at Chief Keef, group member Quavo quoted a phrase he suggested one might hear from a parent. “I mean, like your Momma used to say, if the shoe fits,” he said, “that’s it.” Group member Takeoff told the network that the song was up for interpretation. "You know, people gonna take it however they gonna take it and put it however they wanna put it," he said. Quavo also spoke to the song more specifically with remarks that fans and other artists would know if it was a diss. "If you listen to the song, it's self-explanatory,” he said. “If [I'mma] do one, [I'mma] say ya name to keep it one hundred. Ain't no need for me to be sneak-dissin’...We don't do no sneak-dissin'.”
Speaking to the origin of the confrontation, Offset added that the first Tweet from Chief Keef was unexpected. “Honestly, it caught us by surprise,” he said. Reiterating the sentiment expressed on their own collective Twitter page, Quavo also said “we make music, we get money” in reference to the disagreement. Video of the segment can be streamed below.

Get More: Music News

On “Jealousy,” the hook plays on the phrase “sneak diss” and finds the group alluding to a more violent confrontation. “I ain’t never did a sneak diss / Call my hitman quick to put you on the hit list,” they rap. Later in the song, Offset seems to address Chief Keef’s accusations more directly. “Fuck nigga, you saying we dissing? / Mistletoe chopper, them bullets come kissing / Don’t enter Atlanta without no permission / Leaving’em stanking like chitlins.” The song can be streamed below via HipHopDX.

by JAY BALFOUR

Justin Bieber Reveals 1 Thing That 'Doesn't Get Old' On Tour


Bieber has some confessions about those 'loud, screaming' fans in new trailer for 'Believe.'


Justin Bieber show is a spectacle, complete with pyro, costume changes, killer dance moves and even wings that allow the singer to fly. And while there's never a minute for the fans to lose interest in what's happening in front of them, it's a fair question to wonder whether Bieber ever gets bored of his gigs.
In a brand-new clip from his upcoming concert documentary "Believe,"out Christmas day, the pop star answers that question candidly.


"Bored, no? Maybe if my fans weren't screaming so loud, I would get bored. But they're screaming so loud and they're so excited and I see so many smiles; so many people crying of happiness," the smiling Bieber shares in the teaser, released on Friday (December 13). "That doesn't get old. How could it ever get old?"
The film not only includes candid confessions from the 19-year-old, but also footage from his Believe Tour, which wrapped up earlier this week with a surprise show in the Philippines. (Bieber has been urging his fans to donate to the region after typhoon Haiyan killed nearly 6,000 people and displaced millions.)
With opening day for "Believe" slated for December 25, MTV News recently chatted with director Jon Chu, who also worked with the singer on 2011's "Never Say Never." Although Bieber is obviously the subject of the film, he revealed who the real star of the flick is.
"It said everything about our movie that we didn't have to say out loud," Chu recalled of Bieber's sporting a mustache during filming. "It said, 'He can grow a 'stache now, he will, and even if you ask him not to, he will continue to grow it. He is still that rebellious troublemaker; he's still charming as hell."

As Gucci Mane Heads To Jail, Former Rival 'Prays For Homey': Watch




It seemed that nobody was safe from Gucci Mane's September 9 Twitter tirade. It was enough to make Rocko to go outside of where Guwop was staying in Georgia to confront him. Luckily, they both avoided a serious confrontation, and now, the "U.O.E.N.O" spitter is hoping that Gucci will get better after admitting to a serious addiction to prescription cough syrup.
"I pulled up like a man, but at the end of the day, I realized that homey, he got some real stuff goin' on with him because I was loyal to homey. I was all the solid with homey, so for that to happen, I know it was somethin' else goin' on. So I didn't take it to heart like that," Rocko told MTV News on Saturday when he stopped to talk with us on the 2013 BET Hip Hop Awards carpet. "At first I did, but then I thought about it and I'm like, 'Nah, that ain't homey.' "


Get More: Music News


'He's goin' through a hard time right now,' Rocko says of Gucci, who will serve 187 days for violating his probabtion.


Waka Flocka Flame, Rick Ross, Nicki Minaj and T.I. all felt the wrath of Gucci's Twitter rant. He was arrested a few days later on September 14 after police found marijuana and a handgun on his possession. He was booked for carrying a concealed weapon, disorderly conduct and marijuana possession and was then taken to a hospital as a precautionary measure.
A week later, Gucci returned to Twitter to apologize to his family, friends and a number of the rappers he insulted, revealing that he was battling adrug addiction. "I've been drinking lean for 10plus years & I must admit it has destroyed me. I wanna be the first rapper to admit I'm addicted to lean & that sh-- ain't no joke. I can barely remember all the things I've done & said. However there's no excuse," Gucci wrote.
On Monday, RapRadar.com reported that Gucci was sentenced to 183 days in jail for violating his probation.
"All you could do is you could just pray for homey," Rocko said. "He's goin' through a hard time right now."

Beyoncé Releases Surprise Self-Titled Album








Beyoncé
 has created a holiday frenzy – delighting fans by announcing a surprise new album just before midnight Friday, then secretly releasing it immediately after the announcement. 

With 14 songs and 17 videos, the self-titled album features several collaborators including Jay Z, Drake and Frank Ocean – and a special little one on its closing track. For the song "Blue," Beyoncé performs with daughter Blue Ivy. 

"I see music," Beyoncé said in a video announcement on her Facebook page. "It's more than just what I hear. When I’m connected to something, I immediately see a visual or a series of images that are tied to a feeling or an emotion, a memory from my childhood, thoughts about life, my dreams or my fantasies. And they’re all connected to the music." 
Inspiration for the new work, she says, came from watching Michael Jackson reveal his landmark Thriller album in the '80s. 

"I miss that immersive experience," she says. "Now people only listen to a few seconds of song on the iPods and they don't really invest in the whole experience. It's all about the single, and the hype. It's so much that gets between the music and the art and the fans. I felt like, I don't want anybody to get the message, when my record is coming out. I just want this to come out when it's ready and from me to my fans." 

This is her fifth studio album and first since 4 two years ago. The new album is released exclusively on iTunes.

FRIDAY THE 13TH - TOP 10 JOKES OF THE DAY










7. A guy at work went in for a competition and won a trip to China. He's out there now...trying to win a trip back!





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Fabolous - Everything Was The Same Feat. Stacy Barthe #New Video Release




"Soul Tape 3" dropping December 25th!

Posted by Jay

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Thursday, December 12, 2013

Wednesday, December 11, 2013

Real R&B Music Vol #1




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2.wet the bed
3.i need
4.dedicated
5.one of those nights
6.out loud
7.they don’t know about us
8.dance alone
9.know you better
10.sex never felt better
11.turn on the lights
12.ain’t comin down
13.turn on the lights( reggae)
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2 Chainz ft Rich Homie Quan - Extra




2 Chainz ft Rich Homie Quan - Extra

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Pitbull Ft. Ke$ha - Timber (Remix Pack)





When the Southern-flavored party rap called crunk took over urban radio in 2004, Miami rapper Pitbull decided it was time to seek stardom. The way Pitbull saw it, "crunk ain't nothin' but bass music slowed down." Miami bass music, that is, the kind Pitbull grew up on. His parents were first-generation Cuban immigrants who didn't let their son forget about his culture. They required him to memorize the works of Cuban poet José Martí, and Pitbull understood the power of words right away. Southern acts like Poison Clan and Luther Campbell were early influences, but as he grew, the young rapper got turned on to the G-funk sound of the West Coast and the New York City point of view Nas brought to the game.

Pitbull got involved in the game himself when he started appearing on Miami mixtapes. A meeting with Irv Gotti resulted in nothing, but soon Luther Campbell called on the rapper to appear on his "Lollipop" single. It brought Pitbull to the attention of the Diaz Brothers management team, who introduced the rapper to the king of crunk, Lil Jon. A Pitbull freestyle landed on Lil Jon's platinum-selling Kings of Crunk album in 2002, and the rapper's "Oye" track appeared on the 2 Fast 2 Furious soundtrack in 2003. Ready to take it all the way to the top, Pitbull unleashed his debut full-length, M.I.A.M.I., in 2004 on the TVT label, with the Lil Jon-produced single "Culo" leading the way.


Soon Pitbull was making guest appearances on tracks by everyone from the Ying Yang Twins to Elephant Man. The 2005 compilation Money Is Still a Major Issue collected the best of these collaborations along with some remixes and unreleased tracks. In 2006, the single "Bojangles" prepared fans for his next album, El Mariel. As the album landed on the shelves it was announced that his next effort would be entirely in Spanish and titled The Boatlift. When the end product arrived in 2007, it was an album mostly in English, introduced by the single "Go Girl."


Two years later he released Rebelution, an album filled with slick club cuts including the hits "I Know You Want Me (Calle Ocho)" and "Hotel Room Service." Featuring the hit single "Bon Bon," his all-Spanish-language album Armando followed in 2010. In 2011, his Planet Pit album arrived, featuring the singles "Hey Baby (Drop It to the Floor)" and "Give Me Everything." Both the singles collection Original Hits and I Am Armando — a "reloaded" version of Armando — arrived in 2012 along with his seventh studio effort, Global Warming.


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The 50 Best Metal Albums Of 2013


The 50 Best Metal Albums Of 2013



( VIEW HERE )


In our May Premature Evaluation of Deafheaven’s Sunbather, I compared the album to Agalloch’s 2010 LP,Marrow Of The Spirit. In my opinion, Marrow is the best metal album of the millennium (so far), the apotheosis of what had also been, I believed, the best metal year of the millennium (so far) — perhaps a supernova moment for modern metal, in fact. The genre enjoyed very fine, well-above-average years in 2011 and 2012, too (and I presided over lists here and here attesting to just that), but they felt to me like the slow descent from the peak of Kilimanjaro. As of May, I believed 2013 would also fail to match the heights of 2010, but I was excited and encouraged just the same, by a lot of the records I was hearing, but in that moment, especially so by Deafheaven. “Sunbather is not a better album than Marrow Of The Spirit,” I wrote, “but it is the most successfully ambitious album to emerge from the wreckage left behind by Marrow.”
But as the year progressed, I found myself almost overwhelmed by the volume of truly extraordinary new releases vying for my attention: from new bands like Inter Arma and Lycus and Vattnet Viskar and Bölzer, as well as established acts like Gorguts and Skeletonwitch and Aosoth and Darkthrone. On September 17, Windhand’sSoma was awarded Stereogum Album Of The Week honors (the third metal album in 2013 to achieve that status, following Kvelertak’s Meir in March and Kylesa’s Ultraviolet in May). Also released that same day were outstanding new records from Carcass, SubRosa, Grave Miasma, Wolvserpent, Pinkish Black, Grave, and Ulcerate. It might have been the single-best release week for metal ever. It was on that day, I think, that I realized 2013 had surpassed 2010 as the best metal year of the millennium (so far). And from there, the stakes only got higher. Over the next few months, bands like Inquisition, In Solitude, Oranssi Pazuzu, and Castevet released records that could easily vie for Metal Album Of The Year honors. It was, by any definition, a boom time. It was an embarrassment of riches.
The Year That Was produced a few capital-E Events, some via bands that brought us the year’s best albums — such as Deafheaven and their aforementioned Sunbather — and some others that merely made the year’s best albums look better by comparison. Among the latter group was Infestissumam, the disappointing sophomore album from Swedish opera-metallers Ghost B.C. That band’s fantastic 2010 breakout debut, Opus Eponymous, was such a terrific smash that Infestissumam would have been a big deal (and a big letdown) even if it weren’t the band’s first release on major label Warner Bros., with whom Ghost B.C. signed for the insanely exorbitantreported sum of $750,000 last May — but that fact did add additional depths to the album’s narrative arc. Another high-profile dud was 13, the Rick Rubin-produced Black Sabbath album, the first new work in 35 years from a Sabbath lineup featuring original members Ozzy Osbourne, Tony Iommi, and Geezer Butler. Ultimately, though, 13 was more notable for the band’s choice to exclude original drummer Bill Ward from the project than it was for its songs, which were flat and forgettable. Both those albums arrived with great fanfare (and extended tours, and in the case of Ghost, um … a butt plug), but were met with mixed reviews. Neither was included on our list, and neither would have been on this list if it collected the 100 best metal albums of 2013 instead of only the 50 best. Neither was bad, exactly, but both were badly overcooked, and over-covered, and in the best metal year of the millennium (so far), they were exceedingly poor ambassadors for the genre.
Another pair of Events — these yielding much better results — were the highly publicized returns of ancient death metal legends Gorguts and Carcass, both of whom released their first new albums in 2013 after absences of 12 years and 17 years, respectively. Both represent not just successful comebacks, but artistic and psychic triumphs. Gorguts effectively ceased to exist after the 2002 suicide of drummer Steve MacDonald. The band’s mastermind and only core member, Luc Lemay, retired the name and announced he was leaving music to focus on his work as a self-taught furniture maker. But in 2008, Lemay hooked up with a handful of musicians whose careers he had helped to inspire — Kevin Hufnagel and Colin Marston (both of Dysrhythmia; Marston also of Krallice), and John Longstreth (of Dim Mak and Origin) — and reclaimed the Gorguts name. That version of the band spent five years playing together and working on new material before finally releasing Colored Sands this past September, and it was, at once, a landmark.
Carcass, meanwhile, broke up in 1996, only three years after releasing one of the most important and most successful death metal albums of all time, Heartwork, but several months before releasing one of the most reviled death metal albums of all time, Swan Song. Secondary guitarist Mike Amott had quit the band soon afterHeartwork, and primary guitarist Bill Steer sort of admitted he should have done the same thing, as he was no longer interested in playing heavy metal (hence Swan Song). Bassist/vocalist Jeff Walker and drummer Ken Owen started a new band, Blackstar, playing hard rock; Steer formed a blues-based rock band called Firebird. In 1999, Owen suffered a brain hemorrhage, ending his musical career. But in 2007, a reunited Carcass built around Steer and Walker started playing select headlining dates internationally. Six years later, they went into the studio, dug up some old unused riffs, and on September 17, 2013, released Surgical Steel — perhaps the best album of their genre-defining career.
The returns of Gorguts and Carcass also tie into one of the year’s other major Events — although it’s more of a capital-T Trend — the bold resurgence of death metal. Most of metal’s great successes in recent years have been black metal-derived (such as Agalloch, and Wolves In The Throne Room, and Krallice …) or sludge-derived (Mastodon, Baroness, High On Fire …), or doom-derived (YOB, Pallbearer, Witch Mountain …), but in 2013, raw, brutal, ugly, uncool death metal ruled. There were the awakened gods (again: Carcass, Gorguts), the technical masters (Ulcerate, Wormed), the old-school originals (Immolation, Autopsy) and revivalists (Vastum, Entrails), as well as the entire “cavern-core” microgenre, which was most prominently represented by England’s amazing Grave Miasma, but included dozens of other bands playing dank, suffocated, ambient death metal. That’s not to say the genre was invisible in years prior to 2013 — or even that other metal genres flagged in comparison — but in 2013, death metal was a more dominant force than it had been since … well, probably since 1993, the year Carcass released Heartwork.
The final Event demanding inclusion here is a deeply sad one: the loss of Slayer guitarist Jeff Hanneman, who passed away on May 2, of liver failure, at the age of 49. It’s no exaggeration to say that Hanneman was one of modern metal’s prime movers. He wrote nearly all Slayer’s best-known (and best) songs, including (but by no means limited to) “Raining Blood,” “Die By The Sword,” “South Of Heaven,” “War Ensemble, and — perhaps most notably — “Angel Of Death,” arguably the single most important song in the history of extreme metal. I can’t count the number of concerts I attended in 2013 at which Hanneman was paid tribute by the band on stage, nor can I count the number of lovely remembrances and eulogies I read in the days after Hanneman’s death. Two of those were written by my good friend (and occasional Stereogum contributor) Justin Norton, who wrote Hanneman’s obituary for the great metal magazine Decibel, and soon afterward, penned the cover story forDecibel’s Hanneman tribute issue. I was especially moved by — and honored to publish on Stereogum — Doug Moore’s eulogy to Hanneman, which beautifully illustrated Hanneman’s influence and legacy.
Doug was also involved with one of my personal favorite metal events (lowercase-e) of 2013: the launch of Stereogum’s new metal column, the Black Market, which he, Aaron Lariviere, Wyatt Marshall, and I kicked off in February, and produced on a once-monthly basis thereafter. I certainly don’t think our work here played a role in making 2013 the best metal year of the millennium (so far), but it was a joy to cover that year so closely, with such good friends. It was a greater joy still to connect with a readership that seemed to appreciate the column, and heavy music, and an opportunity to discuss heavy music on Stereogum. Throughout 2013, I was overwhelmed by the response to the Black Market. For logistical reasons, the column fell into limbo for the month of October (and technically the month of November), and during that hiatus, I was contacted on a near-daily basis by readers, through a host of channels (email, Twitter, Stereogum’s comment section) asking after the column and its future. I shared all that correspondence with Aaron, Wyatt, and Doug, and I can say without qualification that we were, to a man, humbled and moved.
This list of the 50 Best Metal Albums Of 2013 was initially intended to serve as the November edition of the Black Market, but for purposes of editorial consistency, it’s running in the second week of December, and for purposes of archival consistency, it’s not branded as “The Black Market.” But for the many readers who reached out to us, I want to make perfectly clear that this is the Black Market — same authors, same process — and assure you, too, that going forward, the column will run on the same monthly schedule we established in 2013, starting with a new edition in the last full week of December.
This list was compiled and written by me, Aaron, Wyatt, and Doug, and though there were more than 50 albums we loved this year, more than 50 albums that deserve to be included here, I think this list does a pretty good job of capturing 2013 — the best metal year of the millennium (so far). I don’t think 2014 can possibly top this, but I wouldn’t bet against metal surprising me, surpassing my expectations.
Our list kicks off here. Thanks as always for coming out, caring about this stuff, and doing this with us in 2013.

Dec 10th '13 by